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Wednesday 28 March 2012

Interview with Zoë Taylor






q)Introduce yourself, name,age, location.

a)Zoë Taylor, 30, London

q) Can you describe your path to being an artist? When did you really get into it?

a)Well I’ve always enjoyed drawing since I was very young but it took me a while to come around to the idea of doing it seriously. I studied ancient history and archaeology at college and was about to go on to study anthropology but around the same time I got a job in an old art bookshop and there were other artists working there and it kind of took me back to my roots. Instead of doing more academic stuff, I enrolled on an art course.

I really got into it when I started to understand more about my work – when I realised that atmosphere, drama and narrative were my major motivations and that I could explore them for their own sake within the context of illustration. It was like something suddenly clicked.

q) Describe your ideals and how they manifest in your work.

a)I’m personally drawn to images that have a mystery or ambiguity about them as well as a strong sense of drama, so for instance film stills really interest me, especially ones from the classic era because of the kind of cinematography that was used. Film stills represent isolated – or dislocated moments of dramatic tension – you get a feeling but not the context - and that idea has really influenced the way I work.

I try to make images that have a dramatic intensity about them but where the context and atmosphere remain ambivalent. I’m interested in grey areas and the drama of internal (psychological or emotional) experience.

q) Is music a part of your studio time? What do you listen to?

a)I used to hope that if I played a song loudly and often enough that I could somehow infuse its atmosphere into my drawing but I’m not sure if it ever worked! Lately I tend to listen to music which helps me get into an internalised and detached kind of head space, so durutti column, cocteau twins, nico, diane cluck, cat power etc, they create an atmosphere I like without distracting me too much.

Music has had a big influence. The way narrative works in songs is often interesting – you get an intense feeling but not all of the details, the whole back story. Songs can be really vague but still have a strong effect. I’d love to be able to make narratives or collections of drawings that worked in an abstract way, more like music.

q) How would you describe your work to someone?

a)I draw atmospheric narrative-based scenes that tend to have an ambiguous tension. I also draw faces and I’ve been doing a lot of fashion illustration lately. Some people have also described my work as film noir-like.

q) Influences?

a)Film, Kiss Me Deadly, Blue Velvet, Inland Empire, Terminator, The Bitter Tears.., film stills, fairy tales, pop songs and music, the stories of Anna Kavan, my tutor Andrzej Klimowski and so many artists from Egon Schiele to Frank Santoro. John Stezaker’s work and interviews have also been inspirational as have many books. I love Diane Arbus’s photographs at the moment. I also think romantic and symbolist art has had a strong indirect influence as that was the kind of work I looked at as a child. But at the moment I’m more drawn to work which is quite different to what I’ve been doing – more direct, expressive drawings that haven’t referenced photographs, with all of the mistakes left in, that’s a new route I want to take.

q) Describe your process for creating new work.

a)I work in an improvised, intuitive way but I usually reference photos or film stills as a starting point. I tend to make lots of versions of drawings before I get one I like and most of my work goes in the bin. My commissioned work is more controlled.

q) What advice do you have for artists looking to show their work?

a)Get lots of good work together first.

q) What are you really excited about right now?

a)Making new work, taking my work in a new direction.

q) What do you love most about where you live?

a)There are so many people trying to do something creative in London, often they’re struggling for money in order to do it but they keep going somehow - people try to start gig nights or do exhibitions or open new venues or whatever - there’s a huge creative drive in this city and I draw energy from that too.

q) Best way to spend a day off?

a)Reading or seeing something which makes me feel excited, going to a less familiar part of the city, or getting out of London to the seaside. Doing something different is always recharging.

q) Upcoming shows/ projects?

a)I’m about to start collaborating on a drawn narrative with writer Dominik Klimowski, I’m working on some zines, I want to exhibit some drawings, start some blogs, make some animated scenes and find a new way of working. I also want to do some writing.

q) Where can people see more of your work on the internet?

a)My website is www.zoetaylor.co.uk but it hasn’t been updated for a while.

My fashion illustrations can be seen at http://www.anothermag.com/current/In_the_Cut

Tuesday 6 March 2012

Interview with Marina Núñez






q)Introduce yourself, name,age, location.

a)I´m Marina Núñez, 46, I live in Madrid.

q) Can you describe your path to being an artist? When did you really get into it?

a)Although I have always liked painting, it was not clear to me from the beggining, because I liked (and still like) many other careers too, like microbiology or genetics, or like psychiatry. But I finally decided to study fine arts because I thought It would probably be a more interesting world. And I´m sure it was the right decision, it´s a privileged work.

q) Describe your ideals and how they manifest in your work.

a)One of them is that difference won´t be silenced or marginalized. I represent otherness in bodies and identities trying to add suggestions to the very limited ranking of subjectivity stereotypes our society handle.

q) Is music a part of your studio time? What do you listen to?

a)Not at all, literature is fundamental, instead.

q) How would you describe your work to someone?

a)In few words, I´m representing aberrant or anomalous bodies that correspond to deviant or abnormal identities, as a way to defy the conventional canon about what a human being must be.

q) Influences?

a)Literature in general (science fiction being important in my iconography), some essays (Foucault, Haraway, Butler...), some films (specially horror genre), and in art, some periods (Barroque, Surrealism) and of course a lot of artists of all periods, from El Bosco to Marlene Dumas or Tony Oursler.

q) Describe your process for creating new work.

a)I have the idea and procedure very clear before beginning a new work. Although there is always some unexpected encounters during execution, for me mental activity, with no sketches or trials, is the moment when almost everything, from concept to iconography, from technique to syntax, is decided. Afterwards, it´s a question of achieving that painting, digital image or video fit my imagined image. A lot of hours, not too exciting. Finishing it´s a great moment!

q) What advice do you have for artists looking to show their work?

a)The obvious: work hard, and don´t become discouraged if things don´t happen as soon as you´d like, because art work must be seen as a long term career. Of course luck is important, but well done work should be the only essential concern.

q) What are you really excited about right now?

a)I´m producing some videos about possessed women, I´m enjoying the process more than usual!

q) What do you love most about where you live?

a)Madrid is a really open city, people here is warm with outsiders, that´s remarkable, I think.

q) Best way to spend a day off?

a)Reading. And with your people.

q) Upcoming shows/ projects?

a)The one of the possessed women, in a chapel which form part of a museum in Valladolid, Spain.

q) Where can people see more of your work on the internet?

a)In my website: www.marinanunez.net